Lawrence Halprin, Heritage Park Designer, Dies

Landscape architect Lawrence Halprin, one of the most creative voices in designing urban public space, passed away on Sunday at his home in California at the age of 93 from complications from a fall.

Halprin was a prolific designer, and created some of the most unique modernist public spaces in the United States. He studied how the human body moves and behaves in spatial settings, especially using dancers and choreography thanks to his wife and longtime collaborator Anna, who was a dancer. This sense of poetic movement found its way into his work, which exhibits strong relationships to human scale. Halprin devised his own landscape drawing system, which he called “motation” (motion and notation).

Several of Halprin’s projects have been demolished over time, and several more are in states of disrepair.

We have personally experienced two of Halprin’s designs, one of which is in dire condition and the other is gloriously restored and beloved. Of course, the one in disrepair is also the one Halprin did here in Fort Worth: Heritage Park, on the Trinity River bluff in Downtown.

All of Halprin’s designs reflect this passion to give people as many options as possible to go this way or that, to reverse directions, to pause, to start over, to be alone, to meet others, and to experience as many different sights, smells and sounds as the site permits.”

–Benjamin Forgey, The Smithsonian, 1988

Heritage Park’s quiet, meditative spaces and interplay of paths and “rooms” are classic Halprin. It’s not too difficult to imagine, as you walk through the park, how engaging it all would be if it were fully restored and taken care of by the city, rather than closed, dried-up, and left to decay and be overtaken by out-of-control landscaping. We were fortunate enough to make our first visits to Heritage Park before it was closed, and even in its run-down condition it felt very special. At one point, the city hired Carter + Burgess to come up with a plan to restore the park, and their response was to destroy the park’s character and integrity by slathering it with railings and other incompatible design features that were in complete opposition to Halprin’s lifelong intent of direct engagement between visitors and his works. Fortunately, Downtown Fort Worth, Inc. and other interested parties are now leading the way with a fundraising effort to carry out a restoration of Heritage Park that is sensitive to Halprin’s design, thanks to a collaboration with Laurie Olin, fellow landscape architect and friend of Halprin’s.

We’ve written a lot about Heritage Park in the past, and here are a few selections, including our three-park exclusive look at Halprin’s original design sketches of Heritage Park and the Trinity waterfront:

Heritage Park, “Insulted and Humiliated” – July 2008
An Update on Heritage Park – February 2009
Heritage Park now slightly less closed – August 2009
Designing Heritage Park: Inside the Halrpin Archives, Part One: Alternate Sites and Designs
Designing Heritage Park: Inside the Halprin Archives, Part Two: Oddities Along the River, Leonard’s Subway Extension, and More
Designing Heritage Park: Inside the Halprin Archives, Part Three: The Design Comes Together

As you advance towards the water in the collecting pools, you might wonder if you can trust you own sense of privilege, if you’re really allowed to do this. Trail your fingers in the fast flow up top, perch wet or dry atop the falls, wade barefoot into the bottom, or climb. You’re operating in that wonderful audio cocoon-bubble of privacy created by the loud rushing water, behind or maybe inside that wall of sound, so you feel alone and brave. Eventually you give yourself permission. Or you don’t. You decide how brave you want to get, or not. It’s a detail, but many have commented on that moment.

–Walt Lockley

The other Halprin design we have personal experience with is one that’s been well-loved: the Ira Keller Fountain in downtown Portland, Oregon. The Ira Keller Fountain creates an inviting space in the heart of the city that’s both playful and peaceful, depending on your mood. It’s a remarkable space in that there are no safety railings or nanny-safety-devices to prevent you from exploring the space. As we wrote about the fountain in our post about visiting it:

That’s it. There’s nothing stopping you from dipping a toe in, running your hands along the falls, wading around the pads. It is the kind of public space we simply don’t do anymore. The restoration and ongoing use of Ira Keller Fountain is in direct opposition to the blandified, watered-down world of railings that Carter + Burgess recommended for Heritage Park, which is even less arguably dangerous than the Keller Fountain. Keller has kept its interactivity and its soul, and that little bit of mostly-imagined danger that, as Lockley says, lets you “decide how brave you want to get, or not.”

The Ira Keller Fountain is an outstanding example of Halprin’s brilliance, and because it’s been respectfully cared for it’s a real direct, undiluted experience. Because the city hasn’t cordoned off the fountain and interfered with Halprin’s intent, the simple act of visiting it is also an act of engaging in a conversation with Halprin, as your body and mind respond to the subtle cues and design touches that he used to guide your procession through the space.

It’s that the verbal message of those signs is so effectively contradicted and drowned out by the bravery, openness, good sense and loud sexiness of the water, that’s the best part. There are no railings or fences. The place is untamed and attractively dangerous, like the natural world.

–Walt Lockley

Coming from another urban area (Oakland-Berkeley) a number of years ago my first reaction to Ira’s Fountain was slack-jawed disbelief. The thing most striking to me was its absence. Where were the signs saying ‘keep out,’ ‘danger’, ‘caution’, ‘no swimming’? There were no warnings or precautions visible. Did the lawyers know about this? How do they pay the liability? I was charmed, impressed and fell totally in love with the city of Portland at that point. Charmed that they cared enough to give over this energy and space to a non-revenue generator… To this day, many years since, I would name either the Salmon Street Springs or Ira’s Fountain as my favorite spots in the entire city. It is the joy factor of watching people interacting with the water. The kids especially are surprised that it is O.K. to go in. They look around as they approach the fountain, half-expecting someone to yell, ‘Stop, don’t touch that!’

–Barbara Duncan

So today, we celebrate the work and talent of Lawrence Halprin, master of designing spaces for human-scaled interaction. We are fortunate in Fort Worth to have an example of his work in our city, and hopefully soon we will all be able to enjoy it again, the way he intended us to.

Rest in peace, Mr. Halprin. And thank you.